“But you know, that’s why I made that song in that manner. “I didn’t think would respond to that song like that,” he admitted on Hot 97’s Juan Epstein podcast in 2013. Meek Mill said he’s long felt the record was special (“Me and my homies, we always thought that about the intro,” he told Complex in 2014, in response to Drake’s praise), but he’s acknowledged that he had no idea it would adopt this extended cultural afterlife. Therein lies the root of the song’s popularity: it’s become an anthem because it channels a relatable narrative into raw energy - something any listener can feel. But being written off or doubted is not exclusive to Philadelphia - that’s a narrative many can relate to or, at the very least, understand.
They, like Meek, succeeded despite being written off. Hence why the Philadelphia Eagles have embraced it as their anthem during a rocky journey to Super Bowl Lll. It’s deeply rooted in Meek Mill’s North Philadelphia upbringing the grit and chip-on-your-shoulder ambition that characterize the city are evident throughout the song. Dreams and Nightmares is the type of thing rap will always need, even when it's in flawed form*.Much of that impact comes from the feeling “Dreams and Nightmares (Intro)” evokes. Whether he can maintain or strengthen that in the future is an open question, but this is music that immediately hits emotionally and physically while lingering in your thoughts long after you turn it off. Still, Meek has made the move from mixtapes to the majors with a solid vision. Some songs that appear earlier on the album ("Maybach Curtains", "Young Kings") borrow the orchestral bloat of Rick Ross, and could've been replaced by up-tempo bangers à la "House Party" or "Burn" on which Meek has made his name. Blige, marks the point where the album becomes syrupy and maudlin. 2" is the follow-up to the stunning storytelling track from Dreamchasers, but this version lacks its precision and is bogged down by a chintzy Boi-1da beat. Unfortunately, the album loses steam with a quarter of the way to go. Where some rappers coast, Meek's mere existence feels earned. It extends to "Traumatized", a track where Meek addresses his father's killer while illustrating exactly how treacherous his upbringing was for him and those around him. He is as much a truth-teller as lyricist, and this singular viewpoint and delivery have both been carried over from his mixtapes. Struggle and triumph, are palpable and plainly articulated in his music, and it makes the best of Dreams and Nightmares (including "In God We Trust" and "Believe It") feel eminently vital. Sneering talking heads and confused elitists use that struggle as a weapon against the music: How can this music, and these artists, be taken seriously when they brag about throwing money at strippers? The genius of Meek's music is that he embodies, fleshes out, and answers the rapper's dilemma. Rap is often about contradiction, of wanting to stay humble and true while still stunting. It's a track that best distills Meek's singularity hurt oozes from his voice and words, illustrating rap's literal and spiritual roots. On the opening title track, he raps unabated for nearly four minutes, tracing lines from his come-up in Philly to strip clubs in Miami and back, over a beat that morphs into menace halfway through. His music channels pain, anger, empathy, and glee into a wave that hits immediately and forcefully, especially on the album's first two songs. It is tense and dramatic, with variations of piano constituting the bedrock of the album and Meek rapping passionately even by his own standards. After navigating that push-pull, Meek Mill has emerged with an album that is distinct in both voice and sound and also plays to his strengths. So maybe Dreams and Nightmares is something to celebrate, even though it's imperfect. But this is still a thin line for artists to walk, one so difficult that good-to-great major label rap debuts now feel like a minor miracle. Waka Flocka Flame was smart enough to capitalize on his timing simply by turning a proposed mixtape into a debut album, and, most recently, Kendrick Lamar used his unwavering artistic vision to essentially subvert this game entirely.
Cole have made better, more accessible versions of the early songs that first got them buzz, and Nicki Minaj plays both sides of the field.
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